Books

When the writer writes, he is freed from death, when the stone changes its skin, the epochs change.Criticism in its beginnings in antiquity was called a dialogue between the writer and the listener, the teacher and the masses in front. (Epictetus).The lexicology of written words, which end with a period, but in reality, they come back to life in the meaning of ethnic morphology and the space of Arbëni without graphemes, with a fantastic attachment to the terrifying environment in the conditions of "living life", like divine wisdom.The first steps towards wisdom-knowledge are the most laborious, because our weak and stubborn spirits are afraid of labor, (without having an absolute guarantee for the reward of the unknown).As we move forward, determination grows and education becomes easier, so, as a result, it is difficult to act against oneself.Thanks to the persistent dedication to purifying our being from unhealthy beliefs, the writer becomes more and more capable of overcoming false fear, entwining himself in the love of his creative self, which characterizes the writer or his written art, as a unique and universal phenomenon. In this flow, the seeker of beauty or greatness no longer tries to seem or pretend to be good in front of others…One day, on one of the beautiful days, writer Mehmetali Rexhepi decided that he would no longer cater to the crowd, but to his own reader, who does not play a role in how big or small he is in numbers, because he is the reader of the creative writer. Without a doubt, here all the so-called "isms" in every time and system come to an end. So, the creator does not have, nor does he make a contract with anyone to write on order, to take a place in the deductive parliaments of mass voting.Therefore, the reader and the writer-creator intertwine in the web of perfection of relationships that bring satisfaction, without using the dictionary (criticism, aesthetic criticism, literary criticism, ethnic-philosophical criticism, this or that dynamic, which is hardly understood and many, many other words that wander like aimless things in the meaning of neuronal reading education.One of the greatest thinkers and linguists of this century, Chomsky, says: that criticism of any kind of writing, whatever it is called, cannot, nor has it ever been able to open or re-project the laboratory of the creative writer.In the neighborhood of this wisdom-knowledge of writing, deep explorers, for my understanding of the world as a reader, are Teki Dervishi with "Lulepjeshkat e dashurisë", Beqir Musliu with "Familjen e Shenjtë" and Mehmetali Rexhepi almost in his entire written opus for the great art, as Kadare says, escaping from every collective contract and collective obligation within the laboratory of his own creative universe.The novel "Lëkura e gurit" is written not as a form of any definition or aesthetic rule - literary theory, which pre-defines the theories of literary criticism, schemes of different modules-proofs, but it is the same as the road in the galaxy of the creative universe.Dark to dark in English is a phrase copied from the ancient Latins tenebris in tenebris, which implies the divinity of understanding, darkness in multi-layered darkness for the phenomenon of human wisdom-knowledge, perfection without beginning and without end.All the chapters and headings of this prose novel are experiences in segments of knowledge from the depths of dark suffering, pleasure, and happiness, like raindrops, which until they hit the ground are called raindrops and then are river water, sea, or ocean water, are mass in their entirety easily explainable.So, in the novel "Lëkura e gurit" when we delve into this form of reading, it makes time timeless and invisible from darkness to darkness.The main character Moti is time as the last emperor of the mind; the character Vijorja is the uninterrupted continuity of love in the mirror called time.The past can be read in every ring of the tree and the brain… But what can be read in "Lëkura e gurit": time as a universal road for small nations that have emerged between the clashes of great human and inhuman empires, like a settlement without a precise basis, as in the chapters of "Lëkura e gurit" without letters, without signs, where only the creator perfectly with the sounds of our language, from the song with hand on shoulder to the magic of polyphonic spiritualism of our people, keeps the ison, "settlement or civilization that is accurately called urbanism in the basin of Illyricum, in the aorta of Arbër, in the middle of the centuries when the Byzantine interpretation of the Illyrian sounds without graphemes is divided."The secondary character in cognitive segments from one starting point to another makes dense prose, in the quantum sense beyond the black hole of intellectual darkness in the cosmos of ideas.The prose woven in sequences in the novel "Lëkura e gurit" in unseen, fragmented, divided eyes, is in fact the philosophical entirety of the axis ATË-DHE-DASHURI (FATHER-AND-LOVE).Mehmetali Rexhepi preserves his creative integrity as an idealist, far from criticism. Why? He preserves it only for his own reader of great art.
The author of this interpretation, Hajdar Paçarada, brings a perspective of a multi-dimensional intellectual, where engineering experience, artistic sensitivity, and philosophical reflection are intertwined, giving the analysis a unique depth.